
AWMAS Online Speaker Series
Visda Goudarzi
ABSTRACT
Participatory artworks aim at creating an experience that is open to interpretation. I argue that such interpretations should not be just entirely predetermined by the creators’ expectations; rather, they should vary among audience members. I also argue that audience members that experienced the artwork could act as co-designers for the successive iterations of the artwork and broaden the creative process. In this talk, I discuss investigating these arguments with an exploratory approach aimed at transforming creative practices, by reflecting on case studies of interactive audio interfaces. Audience engagement, designers’ feedback, and reflections of expert audience members are the focus.
SHORT BIO
Visda Goudarzi is a music technologist working at the intersection of audio and human-computer interaction. She is an Assistant Professor of Audio Arts and Acoustics at Columbia College Chicago and works as the principal investigator (PI) for the Austrian funded project COLLAB (Collaborative Creativity as a Participatory Tool for Interactive Sound Creation) at Institute of Electronic Music and Acoustics (IEM) in Graz, Austria. Prior to Columbia College she worked as an artistic and scientific researcher at IEM Graz, Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University, and Vienna University of Technology. Her research interests include auditory interfaces, interactive and participatory design, sound and music computing, live coding, and data sonification. Visda holds a Ph.D. in Sound and Music Computing from (IEM) at University of Music and Performing Arts Graz, Masters degree in Music, Science, and Technology from (CCRMA) at Stanford University, and a Masters degree in Computer Science from Human Computer Interaction Group at Technical University of Vienna.
Julia Koerner
Founder, JK Design GmbH and Assistant Adjunct Professor, UCLA AUD
“Digital Vogue: Between Organic and Synthetic Processes”
Koerner’s presentation focuses on recent innovations in 3D printing, which have revolutionized the cross-disciplinary design work of architects and fashion designers. Such novel collaborations within the fashion industry are disrupting traditional craftsmanship and empowering innovation by utilizing emergent technologies. These new methods re-form fashion production and potentially reduce shipping, carbon footprint and textile waste, and open opportunities for implementing sustainable processes in production, alongside innovative new aesthetics.
Koerner is an award-winning Austrian designer, founder of JK Design GmbH and faculty member at UCLA AUD. Her recent collaborations include 3D-printed haute couture and the Academy Award-winning costumes for the film Black Panther. For more information, visit www.juliakoerner.com
Image Credit: Pia Clodi
Suzanne Ciani